At most UK folk festivals, your pitch is roughly the size of a decent picnic blanket. A six-berth palace will have stewards politely asking you to shuffle, and your neighbours will be listening to your guy ropes all weekend. A compact two or three-person tent is easier to pitch, easier to carry from the car park, and much warmer once you're inside. If you're travelling by train or coach, a small tent plus a rucksack is the difference between a pleasant walk and a slow, sweaty trudge.
Arrive in daylight if you can. Pitch on level ground, door facing away from the prevailing wind, and check for dips where water will pool after a night of rain. Look up before you peg out: a branch overhead will drip on your flysheet until 3am. Keep guy lines short and mark them with a bit of bright cord so that a fiddler carrying a case in the dark doesn't go headlong over them.
Cold is the number one reason festival-goers leave early, and it's almost always fixable. Air beds are comfortable but chilling: the air inside them cools to ground temperature overnight. A foam mat or self-inflating mat underneath you is worth more than an extra blanket on top.
Expect the temperature to drop sharply around 4am, just as the last session finishes. If you've planned for that, you'll sleep well while others are shivering in the queue for the showers at dawn.
Space is precious, so pack things you'll use more than once a day. Wet wipes, hand sanitiser and a small towel handle most of what a shower block can't. A head torch is far better than a handheld one because it leaves both hands free for tent zips, instrument cases and mugs of tea — choose one with a red light setting, which won't blind everyone in a late-night song circle and preserves your battery.
An acoustic instrument hates damp and heat in equal measure. A fiddle or guitar left in a tent on a warm afternoon can shift, and a wet case lining is a slow disaster for springs and tuning pegs. Keep instruments in a hard case when you're not playing, close the case after every tune, and never leave one in a parked car on a sunny day.
Put your name and a phone number inside the case, and take a photo of the instrument and its serial number before you travel. If your instrument is valuable, check it's covered away from home. For everything else — phone, wallet, keys — use the festival lock-up if one is offered, and split your cash between two pockets rather than keeping it all in one place. Sleep with your essentials inside your sleeping bag liner, not loose in the porch.
Festival weekends run on adrenaline, and adrenaline runs out. Eat at least one proper meal a day, use the free water points to refill a bottle rather than buying plastic, and keep something easy in the tent — oatcakes, nuts, fruit — for the moment you wake up ravenous. Alcohol, sun and skipped meals are a miserable combination, and a two-hour session in a hot marquee will dehydrate you faster than you think.
Singers and players should treat their voice and hands as working equipment. Warm up before you launch into a big ballad, don't spend the afternoon shouting over a loud PA and then wonder why you can't hold a note at midnight, and stretch your hands and wrists between sets. Look after your mates, too: the person who's gone very quiet is usually the one who needs a cup of tea and a sit down.
Take everything home with you. Tents, pegs, broken chairs, half-full gas canisters and abandoned sleeping bags all end up in landfill, and festivals increasingly charge for the clean-up. If your tent survives, take it home and use it again; if it doesn't, pack it out rather than leaving it hopefully by a bin.
Do all that, and you'll come home with a full repertoire, a few new friends and a tent that still smells of woodsmoke rather than regret.
Begin with charity shops, car boot sales and independent record fairs. Focus on genres you love and inspect each disc for deep scratches or warping.
I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
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I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
Reply
I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
Reply
I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
Reply
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